Apr 03 2012

New Addition – 1942 Heintzman ‘Louis XVI’ Styled Piano

Well, I finally acquired my first acoustic piano ever. I grew up on an acoustic piano, but my sister owns that these days.
After going out on my own, I’ve never actually had an acoustic piano in my gear list, mostly because of portability and apartment considerations.

I recently got the bug to have my own piano again and started the hunt.

I have a small house, so a full upright grand was possible, yet, not desirable. I also had this urge to find a classic Canadian built piano. Sure, the lure of an old upright Steinway or Yamaha U1/U3 piano was definitely on my mind, but Canada had some really amazing piano makers back in the day. At the top of this list? Heintzman Pianos (Toronto).
I did some reading and went on the hunt on Kijiji.

I wound up at an ad for a 1942 Heintzman ‘Louis XVI’ styled piano. $600? Wow! I went to look and bought it.
Physically the piano is a beauty for it’s age. The issue? It sat for three generations of a family as a nice piece of livingroom furniture.
Like any old car, sitting for a long time causes issues too. The piano tuner described it as ‘a sleeper’. A piano that has sat untuned, maintained or played for a long time.

He brought the tuning up to A400, but that’s as high as it’ll go on the bass strings for now, as the existing pegs and strings for the bass section need replacing.
After the tuning though, the piano sounds beautiful!

What else needs done?
- The key action design on this piano series didn’t allow for speedy key action. The solution will be to weight the keys to allow for virtuoso speed demon playing.
- Keys were a little stiff – key easement freed them up nicely
- Again, the bass strings and pins will be replaced. The bass notes sound less bright than they should, and the pins won’t hold anything above A400 at the moment.
- Damper bar warped between mounting points. Needs replaced.
- Hammer voicing needs to be done (minor, but still needs done)
- bridal straps could use replacing, as mounting points are starting to crack
- multiple tune ups to get it back to A440

So it’s not a huge list, but it costs. Based on the work that was assessed, the price of $600 wound up being a fair purchase price.

In the meantime, at A400, it’s sounding beautiful. I look forward to the day when it gets really tuned up.

Apr 03 2012

Wurlitzer 200A Update… The Reassembly Begins

Been awhile since I posted about the Wurlitzer… Partly because I’ve been busy with other things!

In the last two days, I took the base platform and re-sprayed it using Appliance Epoxy paint. It had been worn down, scratched, etc.
It still has an older look to it, but it’s gloss black now, and looks much better with the top half of the keyboard. Hopefully the paint lives up to its name and provides a scratch resistant surface for years to come.

I’ve started the reassembly and restoration work today. A wire brush wound up being my friend tonight to remove oxidized aluminum and steel in the tines and the hammer action cover.
You see, the keyboard sat outside a thrift shop for some time, and collected some of the weather too. There’s been a bit of rusting going on inside from water getting into the keyboard, but thankfully not to a level where things need replacing.

I’ll need to get felts for the hammers as well, as some of them have split already, and others are on their way there. Shouldn’t be too crazy getting that all fixed up.

Mar 11 2012

World of Commodore 2009 – 8 Bit Music Jam

Leif Bloomquist, Chiron Bramberger and I jamming live on Commodore 8 bit – Commodore 64, PET and Vic 20 with back beats courtesy of Leif. Here’s the best part… this was completely impromptu. We did not plan this nor had played together before. Thanks to Ian McIntosh for capturing this.

Mar 03 2012

Commodore 64 MSSIAH Demo – With 8 Bit Dubstep

Part of my studio synth tech includes a Commodore 64 (SX64) running MSSIAH, which is a fairly new suite of music software tools that also include MIDI. Majority of this song is actually done using MSSIAH’s various tools. The electric piano and the strings are my Korg M50. Some of the drum tracks are MSSIAH, the others are a loop sample. The Dubstep bass was achieved using the Mono Synth module in MSSIAH tied into Logic, using MIDI triggers from Logic to control the rate of the ‘wobble’ in the bass. This was demoed at THEMUSEUM in Kitchener, Ontario, Canada recently.

Feb 23 2012

Yamaha SK50D – Seeing Double…

I recently acquired a second Yamaha SK50D in pretty much the same condition as my first one. The second unit is actually older than mine and has a serial number in the 300′s. Mine is in the 2000′s. The slider knob colours for Upper Organ and Solo Synth are reversed between the two, and mine has the carrying handles located in a different position than the older unit.

Jan 30 2012

AKAI AX60 – Routing S612 Sampler through the AX60

AKAI AX60′s can be connected to S612/900 samplers so that the samples become a waveform or oscillator on the synthesizer. These get routed through the keyboard’s filters. It really expands the capabilities of both machines when used together. A brief demo showing this combination.

Jan 29 2012

Yamaha SK50D – Using Control Voltage Out

Yamaha SK50D synthesizers have Control Voltage (CV) In/Out, and Trigger In/Out on the back. I picked up a Yamaha CS5 from a friend recently and decided to hook them together. Nice result! Made a short video just to demonstrate how this adds to the SK50D’s capabilities.

Jan 06 2012

Wurlitzer 200A update… Dismantled

I finally got to spend some time last night working on the Wurlitzer. This keyboard needs a ‘frame up’ restoration, much like they mention with old cars. Completely dismantling it, seeing what needs restoration, restoring all the parts, reassembly.

Considering the conditions this keyboard has lived in during its existance, it’s surprising it still fired up and worked.
Aside from one part of the keyboard, it’s been dismantled into all major part areas, parts bagged and marked.
What did I find? Money, a key, a lot of dirt, cob webs, water damage, a little bit of mold.

The good? All rubber and felt appear to be in tact and in good condition! The reeds/tines were also all there and in reasonable condition (some a little rusty from water).
The bad? All aluminum has oxidized from water contamination and humidity. This will require a lot of buffing out and polishing.
Next step? Cleaning and repainting the base plate (satin black).

Dec 27 2011

Yamaha SK50D – Leslie Speaker Controls

Yamaha SK50D synthesizers have a Leslie speaker output on the back to work with 2-channel Leslie speakers, like the 815, 715, HL-722, HL-822 and HL-422 and 415 models. They’re the last generation of the older 11-pin connector Leslie speaker company. The SK50D also has controls for both manuals so you can select which keyboards and sounds will use the leslie channel. This video gives and overview and demo of this function.

Nov 24 2011

Tools For 8 Bit Music – Dec. 11, 2011 – THEMUSEUM

December 11th, 1pm to 3:30pm

Come learn how to make video game music with four 8 bit music tool demonstrations on four platforms – Gameboy trackers, Vic20 MIDI, Petsynth, MSSIAH for Commodore 64. The world of 8 bit music is growing internationally, spawned by the love for old video game consoles and home computers of the 80′s and 90′s. What is supporting this movement is a growing number of music tools for the popular platforms. These demonstrations will cover some of the tools available and in development.

Instructors:
Jake Moolenbeek (DEADBEATBLAST) www.deadbeatblast.com
Leif Bloomquist www.leifbloomquist.net
Rob Adlers www.auralplane.com
Chiron Bramberger www.petsynth.org

Where:
THEMUSEUM – Kitchener, ON, Canada
www.themuseum.ca
Admission is the price of entry to the museum for the RAM exhibit.

Jake Moolenbeek
Subject: Video presentation on basics of tracking, old hardware/brief computer sound history etc.

Bio:
DEADBEATBLAST is a low tech, high energy audio/visual act from Ontario, Canada. A composer and visualist who’s work focuses on the generation imagery and sound using limited technologies. Re-purposed GameBoys and old computers are pushed to their limits to create heavy music and chaotic visuals. His music has been featured on many websites and internet charts, with dozens of performances over the last 3 years.

His lecture will explore chiptune and demo scene music, and some of the respective hardware that is used in it’s creation.

www.deadbeatblast.com

Leif Bloomquist
Subject: A new MIDI Interface for the Commodore VIC20 computer (1981).

Bio:
Leif Bloomquist has always been fascinated by the potential of electronic and computer-generated sounds and music. Classically trained in clarinet and percussion, he now composes using sequencing software while incorporating eclectic and home-built hardware.

His material can be heard in such diverse environments as on CBC Radio 3, ambient music festivals, gothic nightclubs, and churches. Leif is a founding member of the Independent Electronic Musicians Collective, and has released
five albums to date through his Schema Factor and Interweaver projects.

This presentation covers the motivation and history behind the history of the VICMIDI device, with technical details on its implementation and a demonstration piece.

www.leifbloomquist.net

Rob Adlers
Subject: Commodore 64 MSSIAH (with MIDI) Cartridge

Bio:
Rob Adlers (Auraplane) has had a fascination with electronic music and computers since an early age. Rob has performed and written pieces for many different genres, but has always had a love for electronic based music. A pilgrimage occurred in the mid-90′s to better understand the history behind electronic music and the sounds he was using. This led to web mastering for www.hughlecaine.com, and a dip back into keyboard history to the pipe organ age. This evolved into
the ORGANic Evolution series in Toronto (www.organicevolution.net). The side hobby that came from this exploration was repairing and restoring old keyboard instruments.

You can find Rob’s videos and music on Youtube, Reverbnation, CBC Radio 3.

www.auralplane.com

Chiron Bramberger
Subject: A demonstration of the original, and the latest version, of
Chiron’s PetSynth software for the Commodore PET computer (circa
1977-1984).

Bio:
Chiron Bramberger has a great affection for vintage computers, computer history, and music. After searching the software landscape for a music program for the Commodore PET, and found none that met his needs, he decided to create his own software. This program, PetSynth, allows the playing of the Commodore PET like a musical instrument. Chiron is currently working on a short animated film that incorporates music created using PetSynth, as well as other vintage computers and video games.

www.petsynth.org

Older posts «